On January 13, 2016, artist Jaime Davidovich sat down with conservator Steven O’Banion at Fales Library at New York University to discuss Davidovich's practice and the experience of documenting his...
On June 20, 2018, VoCA Program Committee member Gloria Sutton sat down with artist Sonia Almeida at the Carpenter Center for the Visual Arts to talk about her recent paintings and book projects which...
On the occasion of his multimedia exhibition, “Future People,” at the Rebuild Foundation in Chicago, Derrick Adams sat down with VoCA Board Member Virginia Steele Scott and Chief Curator of American...
We are delighted to share a new video as part of the research project Finding Photography: Catherine Yass which follows Catherine to her printers to investigate how this often-invisible technological...
Tanushree Gupta completed her doctoral studies in art conservation – ‘Scientific Studies on the Conservation Issues of Acrylic Paintings’ – in 2016 from the National Museum Institute of History of Art...
Davison Chiwara is a lecturer in the department of Archaeology, Cultural Heritage and Museum Studies at Midlands State University in Zimbabwe. He is a doctoral candidate with the University of...
In "A Silent Roundtable Discussion," featured in Issue 10 of VoCA Journal, conservators Joelle Wickens, Sally Gunhee Kim, and Sarah Scaturro explore their personal and professional experiences with...
VoCA partnered with Middlebury College & the Middlebury College Museum of Art for an interview program featuring artist Vito Acconci and Steven O’Banion, Smithsonian Conservation Fellow at Hirshhorn...
Free workshop: Treating PMMA: Filling Scratches and Chips
A Free, Live Virtual Mini Workshop The Getty Conservation Institute Offered on two dates: March 2, 2021 March 4, 2021 Overview Since its introduction in the twentieth century, poly (methyl...
Some Theory for the Conservation of Contemporary Art
This article analyzes different ontological categories and how they relate to the conservation of contemporary art. Faced with the necessity of apprehending the work of art from an ontological point...