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Essential to contemporary art is the shift towards the concept away from the material object, as much as the use of non traditional and degradable materials or the use of technology as an essential...

Plastics are increasingly found in museum collections, for example in ethnographical and textile collections; where they were used to imitate precious materials like ivory and amber. Plastics are also...

The Steering Committee of the INCCA North America group says farewell to member Will Shank. Will Shank, long time head of conservation at the San Francisco Museum of Modern Art has worked...

INCCA is a unique network made for and by its members and was set up in a founding project between 1999-2002. The Netherlands Institute for Cultural Heritage (ICN) has supported INCCA (network...

5th Special Focus Symposium and Workshop on Art and Science July 30 - August 4 2007 in Baden-Baden, Germany Chaired by: Prof. Dr. Em. Karel Boullart, IIAS/University of Ghent, Belgium Dr. Hiltrud...

A Hidden Picasso San Francisco Museum of Modern Art 23 February- 28 May 2007 "A Hidden Picasso," the exhibition that opened the 2004 conference of the International Institute for Conservation in...

Art, Conservation, and Authenticities ¦ Material, Concept, Context University of Glasgow, Scotland, 12-14 September 2007 The Art History Department at the Glasgow University is organizing a three-day...

Preserving Nam June Paik's Video Installations: the Importance of the Artist's Voice Date: February 16, 2007 Time: 12:30 - 2:00 Location: Museum of Modern Art (MoMA) Bartos Lecture Hall 11 W 53rd...

Conservare L'Arte Contemporanea Problemi, Metodi, Materiali, Ricerche Oscar Chiantore & Antonio Rava Electa (Milano) 2006 324 pages, 190 illustrations ( € 39,00) Language: Italian Image publication...