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Visit GANTZERT-CASTRILLO, E. The Frankfurt Museum für Moderne Kunst and a Private Archiv: Registration Systems for Contemporary Art, 1999

GANTZERT-CASTRILLO, E. The Frankfurt Museum für Moderne Kunst and a Private Archiv: Registration Systems for Contemporary Art, 1999

by Erich Gantzert-Castrillo This article was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/ Netherlands Institute...

Visit VAN WEGEN, D. H, Between Fetish and Score: the Position of the Curator of Contemporary Art, 1999

VAN WEGEN, D. H, Between Fetish and Score: the Position of the Curator of Contemporary Art, 1999

by D.H. van Wegen Thisarticle was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/ Netherlands Institute for...

Visit WEYER, C. & HEYDENREICH, G. From Questionnaires to a Checklist for Dialogues, 1999

WEYER, C. & HEYDENREICH, G. From Questionnaires to a Checklist for Dialogues, 1999

by Cornelia Weyer and Gunnar Heydenriech The article was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/...

Visit SCHEIDEMANN, C. Men at Work: The Significance of the Material in the Collaboration Between Artist and Fabricator in the 1960s and 1970s, 1999

SCHEIDEMANN, C. Men at Work: The Significance of the Material in the Collaboration Between Artist and Fabricator in the 1960s and 1970s, 1999

by Christian Scheidemann How important is knowledge about the significance of the material used in the sculpture of our time? Since many presentations of modern art already include exhibition copies...

Visit STRINGARI, C. Installations and Problems of Preservation, 1999

STRINGARI, C. Installations and Problems of Preservation, 1999

by Carol Stringari Installation art and its preservation is a burgeoning field of interest with many contradictions and ambiguities. Thus far no clear methodology for the care and long-term existence...

Visit KETNATH, A. How to Conserve Motion, 1999

KETNATH, A. How to Conserve Motion, 1999

by Artur Ketnath In addition to the three dimensions possessed by any object, kinetic objects have a fourth: motion. This poses a very special problem for their restoration. Motion, of course, does...

Visit BEUNEN, A. Moral Rights in Modern Art: an international survey, 1999

BEUNEN, A. Moral Rights in Modern Art: an international survey, 1999

by Annemarie Beunen This article will examine moral rights in terms of copyright and the role artists play in the conservation and restoration of their work. Particular attention will be paid to the...

Visit United Kingdom, Newcastle upon Tyne

United Kingdom, Newcastle upon Tyne

Preventative Conservation Programme and institute MA Preventative Conservation, Northumbria University, Newcastle upon Tyne Curriculum The Preventive Conservation MA develops an understanding of the...

Visit Rescue Public Murals

Rescue Public Murals

Rescue Public Murals, based at the U.S. national nonprofit organization Heritage Preservation, will bring public attention to U.S. murals, document their unique artistic and historic contributions...

Visit GRAY, S. Conservation and Performance Art: Building the Performance Art Data Structure (PADS), 2008

GRAY, S. Conservation and Performance Art: Building the Performance Art Data Structure (PADS), 2008

MA dissertation by Stephen Gray for Northumbria University's MA Preventive Conservation. August 2008 Abstract Performance art, often seen as a transitory art form, in fact has long lasting interest...

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