AMMANN, J. On the Ageing of Works of Art, 1999
by Jean-Christophe Ammann This article was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/ Netherlands Institute...
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VAN DE WETERING, E. Conservation-Restoration Ethics and the Problem of Modern Art, 1999
by Ernst van de Wetering This article was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/ Netherlands Institute for...
GANTZERT-CASTRILLO, E. The Frankfurt Museum für Moderne Kunst and a Private Archiv: Registration Systems for Contemporary Art, 1999
by Erich Gantzert-Castrillo This article was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/ Netherlands Institute...
VAN WEGEN, D. H, Between Fetish and Score: the Position of the Curator of Contemporary Art, 1999
by D.H. van Wegen Thisarticle was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/ Netherlands Institute for...
WEYER, C. & HEYDENREICH, G. From Questionnaires to a Checklist for Dialogues, 1999
by Cornelia Weyer and Gunnar Heydenriech The article was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/...
SCHEIDEMANN, C. Men at Work: The Significance of the Material in the Collaboration Between Artist and Fabricator in the 1960s and 1970s, 1999
by Christian Scheidemann How important is knowledge about the significance of the material used in the sculpture of our time? Since many presentations of modern art already include exhibition copies...
STRINGARI, C. Installations and Problems of Preservation, 1999
by Carol Stringari Installation art and its preservation is a burgeoning field of interest with many contradictions and ambiguities. Thus far no clear methodology for the care and long-term existence...
KETNATH, A. How to Conserve Motion, 1999
by Artur Ketnath In addition to the three dimensions possessed by any object, kinetic objects have a fourth: motion. This poses a very special problem for their restoration. Motion, of course, does...
BEUNEN, A. Moral Rights in Modern Art: an international survey, 1999
by Annemarie Beunen This article will examine moral rights in terms of copyright and the role artists play in the conservation and restoration of their work. Particular attention will be paid to the...
United Kingdom, Newcastle upon Tyne
Preventative Conservation Programme and institute MA Preventative Conservation, Northumbria University, Newcastle upon Tyne Curriculum The Preventive Conservation MA develops an understanding of the...