The International Network for the Conservation of Contemporary Art (INCCA) is holding a database workshop in Amsterdam at the Netherlands Institute for Cultural Heritage / ICN on Friday December 5...
Findings of 7-Year AXA Art Conservation Research Project on view at the Solomon R. Guggenheim Museum, New York from July 11 - September 14, 2008. A publication of the same name accompanies the...
2008 Symposium 'The making of Victory Boogie Woogie'
Gemeentemuseum Den Haag29th August 2008The Dutch state acquired - in 1998 - Victory Boogie Woogie (VBW) , the last painting by Piet Mondrian. Recently the painting, part of the collection of the...
The TAPE project has issued an overview of audio and video carriers by Dietrich Schuller of the Phonogrammarchiv, Austrian Academy of Sciences. The text systematically describes recording principles...
The Getty Conservation Institute (GCI) and Getty Research Institute (GRI) are pleased to announce that the video recording of “The Object in Transition” conference is now available to view on-line at...
The Autumn 2007 issue of Tate Papers, edited with the assistance of Bryony Bery, is given over to the papers produced for the Inherent Vice: The Replica and its Implications in Modern Sculpture...
The Model for Data Registration and the Model for Condition Registration were developed during the project 'Conservation of Modern Art', carried out by the Foundation for the Conservation of Modern...
Presentation by Caitlin Jones during the CRUMB Seminar: Documenting New Media Art CRUMB is the acronym for Curatorial Resource for Upstart Media Bliss. CRUMB aims to help those who 'exhibit' new media...
KYLLONEN, P. Conservation of 'Last Milk Platform' (1992) by Jan-Erik Andersson, 2004
Technical research and preliminary determination of unsaturated polyester for conservation of the outdoor installation 'Last Milk Platform' (1992) by Jan-Erik AnderssonBachelor's Thesis by Päivi...
Tom Learner is Head of Science at the Getty Conservation Institute (GCI) in Los Angeles. He has a PhD in chemistry (University of London, 1997), and a Diploma in the conservation of easel paintings...