Reshaping the Collectible: When Artworks Live in the Museum is a major research project focused on recent and contemporary artworks which challenge the practices of the museum. Responding to Tate’s...
Artificial Poetic Systems. In: Academic Journal PÓS (v. 10, n. 19, May 2020) https://periodicos.ufmg.br/index.php/revistapos/issue/view/112
We are pleased to publish the academic journal PÓS (v. 10, n. 19, May 2020) of the Graduate Program of the Federal University of Minas Gerais, with the thematic section “Artificial Poetic Systems”...
Documenting digital art online workshops in June 2020
In June 2020, LIMA prepares to continue its Conversation on Preservation programme online, recognizing the need for connections and exchanges. Documentation — a work’s physical remnant or trace —is...
Call for papers: Colour Photography and Film: analysis, preservation, conservation, migration of analogue and digital materials
The Gruppo del Colore – Associazione Italiana del Colore (Color Group – Italian Color Association), in collaboration with the Istituto di Fisica Applicata “Nello Carrara” of the Consiglio Nazionale...
The website of the European research project Inside Installations: Preservation and Presentation of Installation Art is once again fully functioning and all of the original content is accessible...
Conservator-restorer by the ENCRyM-INAH and Art Historian by the UNAM Lizeth is a professor specialising in conservation-restoration of modern and contemporary art, as well as graffiti and urban art...
Zeeyoung is a conservator of modern and contemporary art at Leeum, Samsung Museum of Art in Seoul, Korea. Since 2005, she has worked with different forms of art and a variety of modern materials such...
We would like to announce our 9th and 10th CO-TALK, this time with the spanish company Agar Agar and their owners - Maria Quinta and María Galán, in Spanish, and with the founder of SIC...
Master's Thesis: Creating Afterlives: Preserving Traces of Performance Art from a Museological Perspective
This research explores the conflict that emerges when applying registration practices into performance art. As the ephemerality of performance art is perceived as essential for this art genre...