And the winners are….. The first INCCA Virtual Content Party (VCP) came to and end last Thursday May 31st and I am pleased to announce the winners of the five book packages. Admittedly some of the...
KLAUSMEYER, P. & BLEWETT, M. Beads of Change: The Technical Analysis and Treatment of a Painting by Kees van Dongen, 2006
This poster abstract was presented at the IIC congress The Objtect in Context: Crossing Conservation Boundaries in Munich, 2006. by Philip Klausmeyer and Morwenna Blewett A painting by the Dutch Fauve...
The INCCA Cafés are an opportunity for INCCA members to gather and discuss themes and issues of interest, as well as present projects they are working on to their peers. They are grassroot driven...
INCCA Talk with Raphael Lozano-Hemmer, 14 December, Zoom 9 am PST/ 11am CST / 12pm EST/ 5pm GMT/ 6pm CET In our next INCCA Talk we are dedicated to exploring the preservation of Light Art. We are...
Dear INCCA Community, During this transition of season, we would like to share some exciting news with you. Between 18th and 22nd September, ICOM-CC took place in Valencia, Spain. As some of you might...
Photo-oxidation Polypropylene is highly sensitive to the incident UV part of the sun’s radiation in the region 290–400 nm, which is responsible for the radiation-induced polymer photo-oxidation (Al...
Discovering the ‘research to restoration’ process for contemporary art conservation. The ‘research to restoration’ process, although in detail may vary depending on the artwork or material in question...
Richard McCoy describes in his blog on Art21 how he helped install the IMA-organized exhibition, “Hard Truths: The Art of Thornton Dial,” at the Mint Museum in Charlotte, NC. Richard writes: "Working...
Conservation of Polyurethane Foam in Art and Design by Thea van Oosten 128 pages | 50 colour plates | 6 3/4 x 9 1/2 | Amsterdam University Press, 2011 Flexible Polyurethane (PUR) foams have been used...
2008 FRYXELL, A. Conservation of a contemporary painting 'Untitled, 1959': an interdisciplinary approach
Masters thesis by Ana Fryxell, Master in Painting Conservation and RestorationUniversity Nova de Lisboa together with the Institute of Museums and Conservation of Portugal. AbstractThis thesis...