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The freely accessible online publication "The Artist Interview in Conservation - A Guide" is a collection of information and findings gained via theoretical engagement with the interview research...

Object - Event - Performance: Art, Materiality, and Continuity Since the 1960s Edited by Hanna Hölling Much of the artwork that rose to prominence in the second half of the twentieth century took on...

Which objects or events will define the art of our time? Who will decide what is to be preserved for posterity and how that will be done? If an artist chooses ephemeral materials, should the work be...

This accessible volume is destined to become a trusted resource in the field. LOS ANGELES, CA– Plastics have become one of the most ubiquitous materials in manufacturing and design. Given the ease of...

Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk—these are just a few of the biological materials that some contemporary artists have used to make art. But how can works made...

Dear all, I am happy to share with you that the new GE-IIC Contemporary and New Media Group published their first Monografic (Bilingual Spanish/English) this is the num 20, but it is our first...

June 2021: The Guggenheim museum has also launched a new digital archive, the Panza Collection Initiative Records. This repository and online finding aid offers a rich resource of material including...

The Guggenheim is pleased to announce the release of Object Lessons: Case Studies in Minimal Art—The Guggenheim Panza Collection Initiative. Based upon the research of the Panza Collection Initiative...

Conservation · Science · Art History Facture is a biennial journal that celebrates the permanent collection of the National Gallery of Art. Named for "the manner in which things are made," the series...

Digital repository of the Conservation of Art in Public Spaces (CAPuS) project has been launched! (March 2021) The repository is one of the main outputs of the three-and-a-half year project, which...