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Thank you all for joining the INCCA Café with M+ Museum: Looking Forwards and Backward on the 22nd of June. A conversation amongst M+ conservators Alessandra Guarascio (Installation Art Conservator)...

We have a rare opportunity that opened up at the Art Gallery of Ontario. We are looking to hire a Conservator, Contemporary Art. At the AGO we work towards creating a safe and welcoming environment so...

The Editorial Board of the peer-reviewed Metropolitan Museum Journal invites submissions of original research on works of art in the Museum’s collection. The Journal publishes Articles and Research...

On 28th January of 2022, a second virtual INCCA Speed Mentoring session was carried out during the Contemporary Art Conservation Revisited: 20 Years Later, organised in collaboration with the Bern...

Opening a Large-Scale Cultural Institution during a Pandemic It amazes even those who were there on the front line. Overcoming all odds, the staff of the M+ opened one of the most significant art...

Conservators at QAGOMA (Australia) and HCC (Singapore) have undertaken research investigating the materials of contemporary pre-primed artist canvases. This research enhances understanding of current...

The Düsseldorf Conservation Center offers a two-year, full-time post-graduate fellowship position in its newly established media conservation department. The fellowship provides the opportunity to...

We're excited to announce that presentations are now available on our website and on YouTube. Thank you for your patience as we prepared the videos of these wonderful and inspiring contributions...

In 1999, when INCCA was created to develop, share, and preserve knowledge related to contemporary artist materials and working methods, artist interviews were envisioned to be essential to collecting...

Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk—these are just a few of the biological materials that some contemporary artists have used to make art. But how can works made...