BUA-MOOC Online course on Digital Art and Culture June 4-19, 2014 (webinars June 4-6, 2014) The Bern University of the Arts (BUA) Massive Open Online Course (MOOC) on Digital Art and Culture provides...
Organisation: Harvard Art Museums. Center for the Technical Study of Modern Art
The Center for the Technical Study of Modern Art (CTSMA) investigates the materials and issues associated with the making and conservation of modern works of art. CTSMA serves as a resource for...
Videos: Performing Documentation in the Conservation of Contemporary Art Conference, Lisbon 2013
About the conference Contemporary art conservation requires a re-assessment of the distinction between the work and its re-configuration in documentation. Although documentation is crucial for the...
Video: Restoring Mark Rotho's Black on Maroon at the Tate
Mark Rothko’s Black on Maroon 1958 went back on public view at Tate Modern on 13 May 2014, following 18 months of intensive work by the Conservation team and colleagues across Tate. The painting, one...
Conservation Perspectives. The GCI Newsletter. Conservation of Plastics Issue, Spring 2014
Volume 29.1, Spring 2014 Available in PDF (4.6MB, 32pp) (HTML version available soon) This issue contains the following articles: A Note from the Director Preserving Plastics: An Evolving Material, a...
Artist interviews made by Australian Center for Contemporary Art
The Australian Centre for Contemporary Art is Melbourne’s leading contemporary art space, and the only major gallery in Australia focused on commissioning rather than collecting. Videos of artists...
SYMPOSIUM: Jackson Pollock’s Mural: Transition, Context, Afterlife Tuesday, May 6, 2014, 9:30 a.m.–5:30 p.m. Museum Lecture Hall, Getty Center, Los Angeles In 1943, Jackson Pollock made his first...
Explore and listen to the innovative audio cassette-magazine Audio Arts, established by Bill Furlong in 1972. Since its inception, by British artist William Furlong in 1972, the seminal sound art...
Tate releases 30 years of audio recordings of artists
Since its inception, by British artist William Furlong in 1972, the seminal sound art magazine, Audio Arts has become one of the most comprehensive and coherently focused aural archive of artists’...
Time-Based Media Art Conservation Positions at the Smithsonian
The Smithsonian Institution is seeking three (3) media art conservators to work with conservation staff to conduct a feasibility study for the development of a time-based and digital art conservation...