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Visit POWELL, J. D., Preserving the unpreservable: A study of destruction art in the contemporary museum, 2007

POWELL, J. D., Preserving the unpreservable: A study of destruction art in the contemporary museum, 2007

by John D. Powell MA Museum Studies, University of Leicester, 2007 Abstract Should museums actively collect and preserve works by artists whose means, materials, and intentions are manifestly...

Visit 2009-01 Symposium on conservation of contemporary art

2009-01 Symposium on conservation of contemporary art

"Theories and Practice in Conservation of Modern Art: Reflections on the Roots and on the Perspectives"International Symposium January 2009University of Applied Sciences and Arts Hildesheim...

Visit GRÜN, M. Asking for Context: Conservation Strategy for Joseph Beuys' 'The End of the Twentieth Century', 2006

GRÜN, M. Asking for Context: Conservation Strategy for Joseph Beuys' 'The End of the Twentieth Century', 2006

by Maike Grün This article was presented at the IIC congress The Object in Context: Crossing Conservation Boundaries in Munich, 2006. The Munich installation artwork Das Ende des 20. Jahrhunderts (The...

Visit BAUER, S. & KOKKORI, M. Commedia Dell'Arte: When Chagall Went to Frankfurt, 2006

BAUER, S. & KOKKORI, M. Commedia Dell'Arte: When Chagall Went to Frankfurt, 2006

by Snejanka Bauer and Maria Kokkori This article was presented at the IIC congress The Object in Context: Crossing Conservation Boundaries in Munich, 2006. Abstract Marc Chagall painted Commedia dell...

Visit KLAUSMEYER, P. & BLEWETT, M. Beads of Change: The Technical Analysis and Treatment of a Painting by Kees van Dongen, 2006

KLAUSMEYER, P. & BLEWETT, M. Beads of Change: The Technical Analysis and Treatment of a Painting by Kees van Dongen, 2006

This poster abstract was presented at the IIC congress The Objtect in Context: Crossing Conservation Boundaries in Munich, 2006. by Philip Klausmeyer and Morwenna Blewett A painting by the Dutch Fauve...

Visit FAVERO, P. Aesthetic and Material Aspects of Two Berkeley paintings by Richard Diebenkorn in the Phillips Collection, 2006

FAVERO, P. Aesthetic and Material Aspects of Two Berkeley paintings by Richard Diebenkorn in the Phillips Collection, 2006

Poster abstract was presented at the IIC congress The Object in Context: Crossing Conservation Boundaries in Munich, 2006. by Patricia Favero In the early 1950s, the American painter Richard...

Visit LOWINGER, R. & MORSE, A. The Conservation and Relocation of a Monumental Petrachrome Mural: Helen Lundberg's 'The History of Transportation', 2008

LOWINGER, R. & MORSE, A. The Conservation and Relocation of a Monumental Petrachrome Mural: Helen Lundberg's 'The History of Transportation', 2008

Article presented at the IIC congress Conservation and Access, London September 2008. by Rosa Lowinger and Andrea Morse Abstract The History of Transportation is a 240 foot long (73 metre) cement...

Visit SHANK, W. & NORRIS D. H. Giving Contemporary Murals a Longer Life: The Challenges for Muralists and Conservators, 2008

SHANK, W. & NORRIS D. H. Giving Contemporary Murals a Longer Life: The Challenges for Muralists and Conservators, 2008

Article presented at the IIC congress Conservation and Access, London September 2008.by Will Shank and Debbie Hess Norris AbstractRescue Public Murals (RPM) is the latest initiative undertaken by...

Visit GARDENER, P., BURNSTOCK, A. & VASCONCELES, A. The Influence of Access to the Artist on the Conservation of Allen Jones' Works from the 1960s, 2008

GARDENER, P., BURNSTOCK, A. & VASCONCELES, A. The Influence of Access to the Artist on the Conservation of Allen Jones' Works from the 1960s, 2008

Article presented at the IIC congress Conservation and Access, London September 2008. by Paul Gardener, Aviva Burnstock and Ana Vasconcelos Abstract Interviews with British artist Allen Jones have...

Visit KIM, E. An Alternative Backing Method for Keifer's 'Melancholia', 2008

KIM, E. An Alternative Backing Method for Keifer's 'Melancholia', 2008

Poster abstract presented at the IIC congress Conservation and Access, London September 2008. by Eun-Jin Kim In 2005, the collection committee of the National Museum of Contemporary Art, Korea...

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