This integrated collaborative project was initiated in 2002 by Tate in London, the National Gallery of Art (NGA) in Washington, D.C., and the Getty Conservation Institute (GCI), and now involves a...
2009 Call For Papers - Symposium on principles of conservation
The Royal Academy of Arts is organizing a two-day symposium following the publication in Summer 2009 of the book Conservation: Principles, Dilemmas and Uncomfortable Truths edited by Alison Richmond...
IRPA (acronym of the French name of this intitute - L'Institut royal du Patrimoine artistique) is a federal scientific institution dedicated to the study, conservation and development of Belgium's...
2008 DOCAM International Summit and symposium During this fourth edition of the DOCAM Summit, many of the Alliance’s researchers delivered their results on a variety of case studies. Also, numerous...
Shifting Polarities is a project by Caroline Langill which documents the production of electronic and new media works by Canadian artists between 1970 and 1990. This publication features nearly twenty...
The International Institute for Conservation of Historic and Artistic Works (IIC) has granted INCCA permission to publish a selection of 9 articles and 6 poster abstracts from the last two IIC...
FISCHER, U. et al. Alexej Jawelensky's Painting Technique in his Munich Oeuvre, 2006
by Ulrike Fischer, Heike Stege, Daniel Oggenfuss, Cornelia Tilenschi, Susanne Willisch and Iris Winkelmeyer This article was presented at the IIC congress The Object in Context: Crossing Conservation...
STEVENSON, L. & THOMSON, B. Vision of the Sermon by Paul Gauguin: An exploration of making and meaning, 2006
by Lesley Stevenson and Belinda Thomson This article was presented at the IIC congress The Object in Context: Crossing Conservation Boundaries in Munich, 2006 Abstract In preparation for a major...
O'DONOGHUE, E. et al. Dictated by Media: Conservation and Technical Analysis of a 1938 Joan Miro canvas painting, 2006
This article was presented at the IIC congress The Object in Context: Crossing Conservation Boundaries in Munich, 2006. by Elma O’Donoghue, Ashley M. Johnson, Joy Mazurek, Frank Preusser, Michael...
POWELL, J. D., Preserving the unpreservable: A study of destruction art in the contemporary museum, 2007
by John D. Powell MA Museum Studies, University of Leicester, 2007 Abstract Should museums actively collect and preserve works by artists whose means, materials, and intentions are manifestly...