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During the pilot project ' Artists' Interviews' (Netherlands Institute for Cultural Heritage / Institute Collectie Nederland (ICN) in collaboration with the SBMK, Foundation for the Conservation of...

Author: Olivia PoloniM.A. Student Art CuratorshipUniversity of MelbourneAustraliaDate: October 2005 Unstable materials and ephemeral art: consider the practical and ethical issues raised by the...

One of the main aims of INCCA is to collect information from artists or their representatives. During the INCCA founding project (1999-2002) the INCCA partners developed a 'Guide to Good Practice -...

Paper conservator (and INCCA member) Nadia Kersten-Pampiglione from the Teylers Museum has created a useful format in Excel to use to document (artist) information about works on paper. Teylers Museum...

In 'A Methodology for the Communication with Artists' Frederika Huys puts the question of 'How to create an artist's archive'. Following this approach conservator and artist work closely together. The...

By Stéphanie Gagné This article describes the approach used for artist interviews by students of the Queens University, Canada. It includes links to sample Letters of Information and Consent forms...

Editor Michael Andrew Corzo (ed), Los Angeles: Getty Conservation Institute, 1999, 192 pages, ISBN 0 89236 528 5 "[...] The Getty Conservation Institute's conference 'Mortality Immortality? The Legacy...

Restoration of Cathedra - Considering the Restoration of a Monochrome Painting December 8, 2001 Organiser: Stedelijk Museum, Amsterdam Four years ago, on November 21 1997, Cathedra, a work by the...

Technical Examinations and Art Historical Implications M. Victor Leventritt Symposium Saturday, May 5, 2001 Location: Arthur M. Sackler Museum Lecture Hall Mondrian as Maker Harry Cooper Associate...