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The collective contributions represent the most comprehensive exploration to date of the use of oil-based enamel paints by modern avant-garde artists, with a special focus on the historic house paints...

Congratulations to Tom Learner, INCCA Steering Committee member. The Getty Conservation Institute has appointment Thomas J.S. Learner as Head of Science, effective January 6, 2014. Tom has been a...

On December 4th, audiovisual archivists from across Europe gathered in Paris for a workshop in the context of the Presto4U project, The workshop concentrated on Digital Audiovisual Preservation in...

The project will deliver new tools and services to connect the different constituencies involved in AV media preservation: expert users, who understand the problems and require technological solutions...

Jessica Ford is a Class of 2014 paintings conservation major completing her third-year internship at the Lunder Conservation Center, Smithsonian American Art Museum, in Washington, DC. In this blog...

For many, a public art collection is not only part of a city or regional identity, it often serves as a major vehicle for engaging local citizens and visitors through art. Within these pages you will...

Media Art History is a platform for the histories of media art, science and technology. Mission statement: Recognizing the increasing significance of media art for our culture, this platform...

http://rhizome.org/editorial/2013/nov/21/call-applications-digital-conservator/ Digital Conservator (full-time w/ benefits, or part-time negotiable) Deadline: Tuesday, December 3rd at 9am EST Send a...