2002 New Media Preservation Network
The Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology have formed a special partnership for the year 2002 to lay the groundwork for a future consortium...
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INCCA loosely defines modern art as artistic works from the late 19th century though the 1960s. Modern art is often experimental and frequently abstract. Contemporary art is considered to have begun in the 1960s, as artists challenged the concerns of modern artists and questioned the definition of art itself. Given the complex nature of artistic movements during this period, INCCA adopts broad definitions of these terms and relies on its members to decide what, for instance, qualifies as appropriate art for its Database.
2002-02 Seminar on Organic Materials
'Tot oder lebendig. Organische Materialien in der modernen Kunst' is the title of a seminar organised by the University of Hamburg, Archiv zur Erforschung der Materialikonographie Date: February, 6...
MICHALSKI, S. Conservation Lessons from Other Types of Museums and a Universal Database for Collection Preservation, 1999
by Stefan Michalski There is no doubt that the preservation of contemporary art collections involves novel and complex problems unfamiliar to the staff of a traditional fine art museum. Yet none of...
GROENENBOOM, R. Installations and Interpretations, 1999
by Roland Groenenboom This article deals with re-exhibiting temporary and/or site-specific installations like those made by artists such as Joseph Beuys, Paul Thek and JoëlleTuerlinckx. This...
DE LEEUW, R. The Precarious Reconstruction of Installations, 1999
by Riet de Leeuw Introduction It is some years ago now that in the Kunstmuseum in Bern, somewhere on its upper floor, I came unsuspectingly across the remains of Honigpumpe am Arbeitsplatz (Honey Pump...
VAN DE VALL, R. Painful Decisions: Philosophical Considerations on a Decision-making Model, 1999
by Renée van de Vall This article was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/ Netherlands Institute for...
LAURENSON, P. The Conservation and Documentation of Video Art, 1999
by Pip Laurenson This article was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/ Netherlands Institute for...
DE JONGE, P. Man Ray, or the Eternal Theme of the Wink, 1999
by Piet de Jonge This article was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/ Netherlands Institute for...
AMMANN, J. On the Ageing of Works of Art, 1999
by Jean-Christophe Ammann This article was originally published in: Hummelen, IJ., Sillé, D., Modern Art: Who Cares?, Amsterdam: Foundation for the Conservation of Modern Art/ Netherlands Institute...