by Karen te Brake-Baldock & Tatja Scholte
This poster was presented at the International Institute for Conservation of Historic and Artistic Works (IIC) congress Conservation and Access in London from September 15-19, 2008. The abstract was first published in the IIC 2008 congress preceedings. It explains in short the rationale behind setting up the INCCA network and gives a practical example of how a virtual artist archive can be created. The artist in question is Suchan Kinoshita. The permission to publish this poster and abstract on the INCCA website has kindly been given by the IIC.
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This abstract may only be downloaded for personal use. It may not be redistributed. Permission for redistribution must be requested from IIC.