INCCA members are dedicated to developing, sharing and preserving knowledge needed for the conservation of modern and contemporary art. INCCA is a network of like-minded professionals connected to the conservation of modern and contemporary art.
GARDENER, P., BURNSTOCK, A. & VASCONCELES, A. The Influence of Access to the Artist on the Conservation of Allen Jones' Works from the 1960s, 2008
KIM, E. An Alternative Backing Method for Keifer's 'Melancholia', 2008
MATHESON, I.G. Fragile Art in High School Hallways: The Wennesland Beat Art Collection, 2008
BASHIR, S. HONDA, S. MACLEOD, N. & MATSUSHIMA, F. Archiving and Preserving the Work of John Latham, 2008
2008 GERAGHTY, I Frames, Plinths and Vitrines in Contemporary Art - IIC 2008 congress poster
![Detail INCCA poster IIC 2008 Detail INCCA poster IIC 2008](/system/files/styles/teaser_thumbnail/private/field_images/detail_iic_poster_incca.jpg?h=09899169&itok=evicNlFn)
TE BRAKE-BALDOCK, K. & SCHOLTE, T. INCCA: A Virtual Platform Providing Access to Shared Knowledge on Contemporary Artworks, 2008
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Organisation: The Institute of Conservators-Restorers in Ireland (ICRI)
![plastic bottles plastic bottles](/system/files/styles/teaser_thumbnail/private/field_images/plastic_bottles.jpg?h=31a53609&itok=6OITEHUW)
Organisation: Plastics Historical Society
Tate Papers, Inherent Vice: The Replica and its Implications in Modern Sculpture, Autumn 2007
![Screen shot David Rokeby interview Screen shot David Rokeby interview](/system/files/styles/teaser_thumbnail/private/field_images/screen_shot_david_rokeby_interview.jpg?h=aabcb075&itok=Xa9lcni_)