Korean contemporary art has expanded quantitatively as well as qualitatively recently.
Conservation scientist - Head of the analytical laboratory Swiss Institute for Art Research, Zurich, Switzerland Art technology department
Permanent position (80%)
MSc/PGDip Modern Material Artefacts Postgraduate Programme, University of Glasgow, Scotland, UK Modern Material Artefacts is a new taught postgraduate programme at the Centre for Textile Conservation and Technical Art
The Journal of the Postgraduate Program in Arts of the EBA-UFMG proposes to the next issue (v.09, n.18, November 2019) the theme Collaborative Practices in the Visual Arts in reference to the artist
In 2015, the time-based media collections of the Auckland Art Gallery Toi o Tamāki were given a thorough survey by Marylyn Mayo Intern, Brooke Randall, who assessed nearly 300 items and developed protocols to ensure t
The Hochschule der Künste Bern has two vacancies for lecturers in Conservation and Restoration of Contemporary Art specializing in Media and/or Materials (each position 60-80%).
The deadline for applications is May 3, 2019.
Getty Conservation Institute Project Specialist (Modern and Contemporary Art)
Dr. Ioseba Soraluze was interviewed in 2014 while Head of the Paintings Conservation Department at Cheng Shiu University in Taiwan. He spoke with INCCA-AP about the conservation scene in Taiwan.
Kolokesa Mahin-Tuai, (Associate Curator- Pacific) at Auckland Museum speaks with Sarah Hillary about the Pacific Island Arts Fono, or gathering, hosted at the Auckland Museum in October 2015.
Masi (bark cloth) is a culturally significant cloth used across Fiji to celebrate major events and occasions.
This project aims for an integral approach to the use of oral history for conservation research, and seeks to reflect the use of interviews as a dynamic process.
8 – 9 October 2019